“Lingering Echoes - Heritage and Innovation of Nanyin”Second Talk“Canton Music Legacy in Hong Kong: Nanyin, Banyan and Yueou by blind musicians Dou Wun and Lee Ngan-Kiu”

Nanyin, a form of Cantonese narrative singing cherished in the Pearl River Delta, boasts a profound cultural heritage. This year marks the 155^th anniversary of the Tung Wah Group of Hospitals and the 55^th anniversary of Tung Wah Museum. To celebrate, the Tung Wah Museum has joined hands with the Hong Kong Heritage Museum to organise a series of nanyin-themed activities, in a bid to preserve and share the essence of this art form, allowing the public to appreciate its style and understand its historical and cultural significance as well as its ongoing innovation and transmission through generations.

Many of the nanyin, banyan and yueou songs performed in both historical and contemporary Hong Kong originated from Canton (Guangzhou). This talk will explore how the imprint of Guangzhou has manifested in Hong Kong’s musical landscape and how the city is depicted in works from the late Qing dynasty, referencing the banyan song “The Paramours' Squabble” performed by gushi (male blind musician) Dou Wun, “Offerings by Qinglan” delivered in the yueou style by shiniang (female blind musician) Lee Ngan-kiu and other notable pieces, such as “Song of the Exile” and “Ho Wai-kwan Laments from the First till the Fifth Watch of Night”, and lyrics that recount the fire in Dashatou, Guangzhou, which occurred in the first lunar month of the first year of Qing Emperor Xuantong’s reign.